Editing is one of the most essential components of a narrative, playing a decisive role in audiovisual media production. This book thoroughly examines editing techniques within their historical context, providing a detailed analysis of their functionality in film and television productions. Offering a broad perspective from classical narrative cinema to experimental editing practices, the study analyzes editing processes through significant examples from film history. By explaining video editing processes with practical examples, this book serves as a comprehensive resource for academics, film students, and visual media proffessionals.